27 June 2013
26 June 2013
TONIGHT! WTSH on Strangeways Radio - Expect to hear a brand new exclusive from Drowner's new LP, new ones from Weekend, Lilies On Mars, Marnie & SLOWNESS, along with some classic gazer anthems thrown in the mix, as well.
Stream it live TONIGHT
10pm EST/9pm CST
24 June 2013
WTSH Album Review:
Still Corners || Strange Pleasures
Reviewed by: Ellie Sleeper
If Still Corners' debut, Creatures of an Hour, was a somewhat cold and frigid whisper, their sophomore effort, Strange Pleasures, is a euphoric sigh. The masterful confidence and ease is apparent, while the group still exhibits some of their characteristic restraint. The pace is quite drowsy, but not without energy. The duo is more enchanting than distant now, more dreamlike and cinematic than ever before.
The Londoners have no shortage of movement in their latest work; synthesizers sparkle and swirl around every song. This increased energy is perhaps the most notable improvement for Hughes and Murray. There is a tangible sense of purpose throughout Strange Pleasures. That they bring a very organic and pastoral element to their futurism is also thoroughly energizing. It stands in stark contrast to some of the recent trends of cold, aloof, and disinterested delivery.
The whole album is so solid that it is almost difficult to pick songs that stand above the rest. "All I Know" plays well with repetition and features a few syrupy guitar licks which greatly complement clever and uncommon touches like harp melodies. "Beatcity" brings early synthpop and krautrock instrumentation to a uniquely human place, and its chugging bass synthesizers are a welcome breath of urgency. Album closer and title track, "Strange Pleasures" positively smolders with soul and passion, and is also not to be missed.
The one misstep here is the oddly misplaced "Berlin Lovers." That it was also chosen as a single is even more perplexing. While it is a good pop single and is not at all a bad song, it is an incredible departure from every other number on Strange Pleasures. The brassy, warbling synth hook can actually inspire some discomfort if one is not expecting it, especially considering the restfulness of everything that precedes it. "Future Age" suffers from a bit of the same problems, but is more graceful and fitting.
Overall, Strange Pleasures glows and flickers calmingly. Its science fiction psalms radiate a very sincere warmth that listeners should find irresistible. It's a perfect soundtrack for summer evenings, and a stellar addition to any album collection.
(Additional note: iTunes offers an extended version which includes the bonus track "We Have the Future on Tape" as well as a digital booklet.)
9.75 or an A
Standouts: "All I Know", "Beatcity", and "Strange Pleasures"
Goes Great With:
Mazzy Star and Hope Sandoval
Thought & Language || Dead Leaf Echo
Reviewed by Nathan Ford
"She was only the dead-leaf echo of the nymphet from long ago ..."
- Vladimir Nabokov
Of course those who dig a little deeper will be aware that there's a vibrant current shoegaze scene that certainly stands proudly with the original in terms of quality and invention, even if the wider music media tend to virtually ignore it, and retreading former glories is something that bands like Dead Leaf Echo should never be accused of.
Sure, Brooklyn based nu-gaze (or nouveau wave as this bunch refer to themselves) three piece Dead Leaf Echo don't mind wearing their influences on their sleeves, but with a full length debut as strong as "Thought & Language" they can consider themselves peers rather than imitators.
4AD producer John Fryer (Cocteau Twins, Lush, This Mortal Coil) is on hand to mix, and this certainly helps conjure an authentic shoegaze aesthetic that recalls variously, early Swervedriver, Lush, Chapterhouse and the Boo Radleys before they discovered the Beach Boys.
Tastefully bypassing the distortion laden squall that some of the more popular shoegazers exploited, Dead Leaf Echo instead rely on an expansive, broadly textured sound, with layers of gorgeously swelling guitars steeped in delay, and cavernously reverbed vocals that often operate more as another instrument in the mix, with the need to convey lyrics seemingly being given secondary importance....
23 June 2013
When The Sun Hits is now contributing to a weekly blog feature on the Strangeways Radio blog called Strange Week in Music. The full article can be found on the Strangeways blog; WTSH cross posts it only partially, with a link to the full article provided.
Strange Week in Music gives each Strangeways DJ an opportunity to highlight one track that is related to his/her show that week; the article will include information, links, images, a video/stream of the tracks and where they can be purchased. You can think of it as Strangeways' Week at a Glance.
If you are new to Strangeways Radio, or are curious about other station shows aside from WTSH, this weekly feature on the Strangeways blog will be the perfect introduction. Below is WTSH's latest contribution.
Strange Week in Music || DJ Amber Crain Selection
Song: The Page
Album: Kill for Love
RIYL: Still Corners, Ladytron, Glass Candy
Where to Buy: Amazon
Chromatics, like many of their peers on record label Italians Do It Better, operate in a brand of indie electronica borrowing heavily from the italo-disco and no-wave of the past to craft retrospective, moody dark pop. Kill for Love is a cinematic masterpiece marked by sturdy, motoric melodies and a sense of late night sombre moodiness...
band name || track title
The Telescopes. We See Magic…
The Soft Moon. Total Decay.
IO Echo. Drag Love.
Glifted. Is There Any Always.
The KVB. Velveteen.
Tones on Tail. Performance (7 inch version).
The Voices. Take the Pain Away.
The Raveonettes. You Hit Me (I’m Down).
Engineers. What Pushed Us Together.
Slowdive. Melon Yellow.
Pure X. Dream Over.
Jetman Jet Team. Radio Track Star.
Ride. Vapour Trail.